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| FOR
IMMEDIATE RELEASE |
 |
THE
VISIBLE VAGINA
@
FRANCIS
M. NAUMANN FINE ART
and
DAVID NOLAN GALLERY
January
28 - March 20, 2010
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|
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Opening
Receptions
Wednesday, January 27, 2010
- 6-8 pm
at Francis Naumann Fine Art
24 West 57th Street - Suite 305 | New York NY 10019
| 212.582.3201
| www.francisnaumann.com
Thursday,
January
28, 2010 - 6-8 pm at David Nolan Gallery, Inc.
527
West 29th Street - Suite 305 | New York NY 10029 | 212.925
6190
| www.
davidnolangallery.com
Panel
Discussion
Saturday,
January 30 from 2-4 pm at David Nolan Gallery, Inc.
527
West 29th Street - Suite 305 | New York NY 10029 | 212.925
6190
A panel discussion hosted by David Nolan Gallery on the exhibition
with the featured artists |
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|
January
6, 2010
CONTACT:
Dana Martin: 212.582.3201 @ FRANCIS NAUMANN
FOR
IMMEDIATE RELEASE
“THE VISIBLE VAGINA”
FRANCIS M. NAUMANN FINE ART and DAVID
NOLAN GALLERY
January 28 – March 20, 2010
Opening receptions:
Wednesday, January 27, 2010, 6-8 pm at Francis M. Naumann
Fine Art
Thursday, January 28, 2010, 6-8 pm at David Nolan Gallery
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Pamela
Joseph
Gray
Line with Black, Blue and Yellow, after O'Keefe
2007
oil
and digital print collage on linen
45 x 33 in. |
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Robert
Brinker
Chalice
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THE
VISIBLE VAGINA is an exhibition jointly organized
by Francis M. Naumann and David
Nolan. It is scheduled to open at Francis
M. Naumann Fine Art (24 West 57th Street) and
at David Nolan Gallery (527 West 29th
Street) on January 28, 2010. Both shows
will run concurrently, ending on March 20, 2010.
As the title of the exhibition suggests, the show is designed
to make visible a portion of the female anatomy that is
generally considered taboo—too private and intimate
for public display. If shown at all, this part of a woman’s
body is usually presented in an abject fashion, generally
within the context of pornography, intended, in almost
all cases, for the exclusive pleasure of men. The goal
of this exhibition is to remove these prurient connotations,
implicit even in works of art, ever since the pudendum
was prudishly covered by a fig leaf. This gesture of false
modesty, it should be noted, was devised and enforced
entirely by men (not only in the case of classical sculpture,
but also in the Bible, in which, immediately after their
disobedience in the Garden of Eden, Adam and Eve cover
their genitalia with fig leaves). Indeed, until recently,
virtually all depictions of the frontal nude female figure
were made by men, but as this exhibition will demonstrate,
that has changed dramatically in recent years.
The catalogue for THE VISIBLE VAGINA
will trace this motif in art history from prehistoric
to modern times. It includes an introduction by the exhibition
organizers, as well as a highly informative and provocative
essay by Anna C. Chave, Professor of
Contemporary Art and Theory at the Graduate Center of
the City University of New York. Inspiration for both
the show and its catalogue came from Eve Ensler’s
The Vagina Monologues, a stage play that premiered
off-Broadway in 1996, and was followed by various productions
throughout the world (it appeared as a book in 1998).
Ensler gave voice to countless women worldwide, honoring
the complexity and mystery of their sexuality, basically
encouraging them to consider their vaginas as powerful
and expressive components of their physical selves, something
not to be ashamed of, but to be proudly protected as an
assertive and positive manifestation of their being. The
idea for this show came from realizing that there was
no better group to give vision to this goal than artists,
many of whom had already incorporated imagery of the vagina
in their works. Because of Ensler’s pioneering work
in this field, the catalogue is dedicated to her, and
proceeds from its sale shall be donated to V-Day, the
organization she founded to end violence against women
and girls throughout the world.
The following is a list of the artists whose work will
be included in the exhibition (as well as a number whose
work is only reproduced in the catalogue): Magdalena Abakanowicz,
Ghada Amer, Beth B, Judie Bamber, Tracey Baran, Nancy
Becker, Hans Bellmer, Mike Bidlo, Louise Bourgeois, Robert
Brinker, Judy Chicago, Carol Cole, Maureen Connor, Gustave
Courbet, Tee Corinne, John Currin, Sarah Davis, James
Dee, Jay Defeo, Jim Dine, Leo Dohman, Marcel Duchamp,
Carroll Dunham, Tracy Emin, India Evans, John Evans, Valie
Export, Robert Forman, Neil Gall, Kathleen Gilje, Guerrilla
Girls, Nancy Grossman, Barbara Hammer, Jane Hammond, Mona
Hatoum, Stanley William Hayter, Sandra Vásquez
de la Horra, David Humphrey, Paul Joostens, Pamela Joseph,
Mel Kendrick, Elisabeth Kley, Jeff Koons, Mark Kostabi,
Shigeko Kubota, Zoe Leonard, Sherrie Levine, Lee Lozano,
Henri Maccheroni, Chema Madoz, René Magritte, Gerard
Malagna, Man Ray, Robert Mapplethorpe, Marcel Mariën,
André Masson, Sophie Matisse, Ana Mendieta, Allyson
Mitchell, Cathy de Monchaux, Vik Muniz, Wangechi Mutu,
Gladys Nilsson, Yoko Ono, Pablo Picasso, Chloe Piene,
Richard Prince, Daniel Ranalli, Oona Ratcliffe, Niki de
Saint-Phalle, Katia Santibanez, Peter Saul, Naomi Savage,
Egon Schiele, Carolee Schneemann, Mira Schor, Michelle
Segre, Tom Shannon, Cindy Sherman, James Siena, Laurie
Simmons, Kiki Smith, Julie Speed, Nancy Spero, Betty Tompkins,
Kiyoski Tsuchiya, Johm Tweddle, Tabitha Vevers, Douglas
Vogel, Robert Watts, Hannah Wilke, Terry Winters, Beatrice
Wood.
PANEL DISCUSSION: David Nolan Gallery
will host a panel discussion on the exhibition with the
featured artists on Saturday, January 30 from 2-4 pm at
527 West 29th Street.
CATALOGUE: A fully illustrated, 128-page
catalogue, with essay by Anna C. Chave. The catalogue
is dedicated to Eve Ensler and proceeds from its sale
shall be donated to V-Day, the organization she founded
to end violence against women and girls throughout the
world. |
|
THE VISIBLE VAGINA is an exhibition jointly
organized by Francis M. Naumann and David
Nolan. It is scheduled to open at Francis
M. Naumann Fine Art (24 West 57th Street) and at
David Nolan Gallery (527 West 29th Street)
on January 28, 2010. Both shows will run
concurrently, ending on March 20, 2010.
As the title of the exhibition suggests, the show is designed
to make visible a portion of the female anatomy that is
generally considered taboo—too private and intimate
for public display. If shown at all, this part of a woman’s
body is usually presented in an abject fashion, generally
within the context of pornography, intended, in almost all
cases, for the exclusive pleasure of men. The goal of this
exhibition is to remove these prurient connotations, implicit
even in works of art, ever since the pudendum was prudishly
covered by a fig leaf. This gesture of false modesty, it
should be noted, was devised and enforced entirely by men
(not only in the case of classical sculpture, but also in
the Bible, in which, immediately after their disobedience
in the Garden of Eden, Adam and Eve cover their genitalia
with fig leaves). Indeed, until recently, virtually all
depictions of the frontal nude female figure were made by
men, but as this exhibition will demonstrate, that has changed
dramatically in recent years.
The catalogue for THE VISIBLE VAGINA will
trace this motif in art history from prehistoric to modern
times. It includes an introduction by the exhibition organizers,
as well as a highly informative and provocative essay by
Anna C. Chave, Professor of Contemporary
Art and Theory at the Graduate Center of the City University
of New York. Inspiration for both the show and its catalogue
came from Eve Ensler’s The Vagina
Monologues, a stage play that premiered off-Broadway
in 1996, and was followed by various productions throughout
the world (it appeared as a book in 1998). Ensler gave voice
to countless women worldwide, honoring the complexity and
mystery of their sexuality, basically encouraging them to
consider their vaginas as powerful and expressive components
of their physical selves, something not to be ashamed of,
but to be proudly protected as an assertive and positive
manifestation of their being. The idea for this show came
from realizing that there was no better group to give vision
to this goal than artists, many of whom had already incorporated
imagery of the vagina in their works. Because of Ensler’s
pioneering work in this field, the catalogue is dedicated
to her, and proceeds from its sale shall be donated to V-Day,
the organization she founded to end violence against women
and girls throughout the world.
The following is a list of the artists whose work will be
included in the exhibition (as well as a number whose work
is only reproduced in the catalogue): Magdalena Abakanowicz,
Ghada Amer, Beth B, Judie Bamber, Tracey Baran, Nancy Becker,
Hans Bellmer, Mike Bidlo, Louise Bourgeois, Robert Brinker,
Judy Chicago, Carol Cole, Maureen Connor, Gustave Courbet,
Tee Corinne, John Currin, Sarah Davis, James Dee, Jay Defeo,
Jim Dine, Leo Dohman, Marcel Duchamp, Carroll Dunham, Tracy
Emin, India Evans, John Evans, Valie Export, Robert Forman,
Neil Gall, Kathleen Gilje, Guerrilla Girls, Nancy Grossman,
Barbara Hammer, Jane Hammond, Mona Hatoum, Stanley William
Hayter, Sandra Vásquez de la Horra, David Humphrey,
Paul Joostens, Pamela Joseph, Mel Kendrick, Elisabeth Kley,
Jeff Koons, Mark Kostabi, Shigeko Kubota, Zoe Leonard, Sherrie
Levine, Lee Lozano, Henri Maccheroni, Chema Madoz, René
Magritte, Gerard Malagna, Man Ray, Robert Mapplethorpe,
Marcel Mariën, André Masson, Sophie Matisse,
Ana Mendieta, Allyson Mitchell, Cathy de Monchaux, Vik Muniz,
Wangechi Mutu, Gladys Nilsson, Yoko Ono, Pablo Picasso,
Chloe Piene, Richard Prince, Daniel Ranalli, Oona Ratcliffe,
Niki de Saint-Phalle, Katia Santibanez, Peter Saul, Naomi
Savage, Egon Schiele, Carolee Schneemann, Mira Schor, Michelle
Segre, Tom Shannon, Cindy Sherman, James Siena, Laurie Simmons,
Kiki Smith, Julie Speed, Nancy Spero, Betty Tompkins, Kiyoski
Tsuchiya, Johm Tweddle, Tabitha Vevers, Douglas Vogel, Robert
Watts, Hannah Wilke, Terry Winters, Beatrice Wood.
PANEL DISCUSSION: David Nolan Gallery will
host a panel discussion on the exhibition with the
featured artists on Saturday, January 30 from 2-4 pm at
527 West 29th Street.
CATALOGUE: A fully illustrated, 128-page
catalogue, with essay by Anna C. Chave. The catalogue is
dedicated to Eve Ensler and proceeds from its sale shall
be donated to V-Day, the organization she founded to end
violence against women and girls throughout the world.
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|
| Francis
M. Naumann Fine Art specializes in the art of the
Dada and Surrealist periods, as well as a selection of contemporary
artists whose work displays related aesthetic sensibilities.
Gallery
Hours: Tuesday through Saturday: 11:00 AM –
6:00 PM. |
|